CALL FOR PAPERS
Studies in Eighteenth-Century Culture, Volume 58
For Volume 58 (2029), the editors invite provocative and rigorous essays that chart out new directions for research on the cultures of the long eighteenth century, across all disciplines and geographic regions; contributions to history, literary history, the history of visual art, theatre and performance studies, musicology, philosophy, material culture studies, gender and sexuality studies, and the studies of race, indigeneity, and empire, to name a few possibilities, are all welcome. Essays from other under-represented areas of inquiry are particularly welcome.
SECC is edited by George Boulukos and Allison Cardon; Managing editor, Shamin Dipu.
In addition to single-author essays, the editors are committed to publishing “clusters”–thematic groups of brief essays– growing out of panels or roundtables accompanied by a brief introductory essay. If you are interested in pursuing this option, please contact the SECC editors soon after your conference or other public event has concluded. We will also welcome nominations of the most outstanding panels or roundtables you encounter!
Guidelines for Submission to Volume 58: Revised versions of papers, roundtable remarks or talks presented in any public venue by a member of ASECS or of a learned society affiliated with ASECS or ISECS between JULY 1, 2025 and JUNE 30, 2027 are eligible for consideration. Single essay submissions are typically between 5,000 and 10,000 words in length, including notes, although we will consider substantively revised contributions of other lengths. Submissions are normally in English and should follow the 17th edition of The Chicago Manual of Style; Word (or compatible) documents are preferred.
Submissions will be evaluated through blind peer review. Authors are therefore asked to avoid identifying themselves, and references to one’s own scholarship should be made in the third person. Those co-ordinating clusters need to make sure author names are removed and replaced with anonymized indicators (Author A, B C, etc). We cannot consider papers already submitted to other journals. The deadline for submission is AUGUST 15, 2027. Please send all inquiries and submissions to George Boulukos <SECC@ASECS.org> and Allison Cardon <allison.l.cardon@gmail.com>.
Studies in Eighteenth-Century Culture is an interdisciplinary peer-reviewed journal published annually for the American Society for Eighteenth-Century Studies (ASECS) by the Johns Hopkins University Press. SECC publishes revised versions of papers and roundtable remarks presented in any public venue in the previous two years by a member of ASECS or of a learned society affiliated with ASECS or ISECS. This includes papers given virtually or online. SECC is available on-line as part of Project Muse. The deluxe hardcover print edition of SECC is a membership benefit of Patrons and Sponsoring Members of ASECS and is offered to all members at a discount.
SECC 2026 Advisory Board
Scott Breuninger, Virginia Commonwealth University
Jeanne Britton, University of South Carolina
Sarah R. Cohen, University at Albany, State University of New York
Rebecca Geoffroy-Schwinden, University of North Texas
Miles Greer Queens College, City University of New York
Rachael Johnson, Brigham Young University
Tracey Rutler, Pennsylvania State University
Jennifer Van Horn, University of Delaware
Table of Contents
Studies in Eighteenth-Century Culture
Volume 55, 2026
Studies in Eighteenth-Century Culture
Volume 55, 2026
Studies in Eighteenth-Century Culture
Volume 55, 2026
TABLE OF CONTENTS
“Frederick disguised as a French Girl”: Empire, Masculinity, Race, and the Protean Possibilities of Paper Dolls
pp. 1 – 36
Marlis Schweitzer
Speaking of Thought, Thinking of Speech: The Free Indirect in Eighteenth Century Literature: A Cluster
- Introduction: Speaking of Thought, Thinking of Speech
pp. 39 – 45
Dwight Codr
- Free Indirect Discourse and the Problem of Temporality
pp. 47 – 51
Jesse Molesworth
- Gender and Genre in Free Indirect Discourse
pp. 53 – 60
Kelly Swartz
- Ironizing Free Indirect Discourse in Mansfield Park: Austen’s Technique of Psycho-Narration
pp. 61 – 66
George Boulukos
- This is FID
pp. 67 – 74
Sandra Macpherson
Chardin’s Portrait of a Man: “Pastel Crayons as Paintbrushes”
pp. 75 – 101
Heather McPherson
Dangerous Intersections: Streetwalkers and the Circulation of Wealth in Mercier’s Tableau de Paris
pp. 103 – 118
Cecilia Feilla
Our Flag Means Death and the Queer Eighteenth Century: A Cluster
- Introduction: Our Flag Means Death and the Queer Eighteenth Century
pp. 121 – 123
Lillian Lu, Taylin Nelson
- “Any good port in a storm”: Fragility, Masculinity, and Our Flag Means Death
pp. 125 – 132
Victoria Barnett-Woods
- Fops, Mermaids, and Viking Vampire Clowns: Queer Masculinities in Our Flag Means Death
pp. 133 – 142
Ziona Kocher
- Three Coarse Meals: Representations of Pirate Dining
pp. 143 – 153
Huw Edwardes-Evans
- Fleetwood Mac, Utopianism, and Queer Histories in Our Flag Means Death
pp. 155 – 162
Jesslyn Whittell
Between Antiquarianism and the Avant-Garde: Revisiting the Taste Debate through John Brown
pp. 163 – 195
Sarah Carter
Winner of the ASECS Women’s Caucus MacCauley Prize
- Prestige, Publicity, and the Woman Amateur of Art in Eighteenth-Century Paris: A Look at Madame la Présidente de Bandeville
pp. 197 – 217
Natasha Shoory
- Autodidacts, Commonplacing, and Colonial Affiliations in Ignatius Sancho’s Letters
pp. 219 – 241
Moinak Choudhury
“Indigenous Critique” and Eighteenth-Century Studies: A Cluster
- Introduction: “Indigenous Critique” and Eighteenth-Century Studies
pp. 245 – 250
Peter de Gabriele, George Boulukos
- John Dennis Asserts Indigenous Liberty
pp. 251 – 257
Brett D. Wilson
- Reverse Ethnography in Eighteenth-Century Representations of African Material Culture
pp. 259 – 264
Rebekah Mitsein
- “The Strict Ties and Voice of Nature”: Coosaponakeesa’s Transatlantic “Tribalography”
pp. 265 – 274
I. B. Hopkins
- Joseph Knight, the Scottish Enlightenment, and the Indigenous Critique
pp. 275 – 287
Anna M. Foy
- The Line of Development: Conjectural History and the Indigenous Critique
pp. 289 – 294
Rachael King
- Lessons
pp. 295 – 300
Tony C. Brown
The Islamic Critique: A Persian Traveler in Regency England’s Garden of Eden
pp. 301 – 310
Humberto Garcia
ASECS Presidential Address
- Annotations on the Representation of Race: Performing Edward Young’s The Revenge Then and Now
pp. 311 – 324
Lisa A. Freeman
Contributors to Volume 55
pp. 325 – 330

Editor: George Boulukos, Southern Illinois University Carbondale
Associate Editor: Allison Cardon
Editorial Board:
- Benjamin Breen, University of California-Santa Cruz (2022-2025)
- Sarah Cohen, State University of New York-Albany (2023-2026)
- Jennifer Van Horn, University of Delaware (2023-2026)
